The Spoonbill Generator presents
Thursday 18 July 1963 | |||||||
| 7.00-10.45pm., Studio Two. Producer: George Martin | |||||||
| Task | Track | Take | Channels | Reel | Release | ||
| Recording | You Really Got A Hold On Me | TK-1 | 2T | E50165* | |||
| Recording | You Really Got A Hold On Me | TK-2 | 2T | E50165* | |||
| Recording | You Really Got A Hold On Me | TK-3 | 2T | E50165* | |||
| Recording | You Really Got A Hold On Me | TK-4 | 2T | E50165* | |||
| Recording | You Really Got A Hold On Me | TK-5 | 2T | E50165* | |||
| Recording | You Really Got A Hold On Me | TK-6 | SI piano on TK-5 | 2T | E50165* | ||
| Recording | You Really Got A Hold On Me | TK-7 | SI piano on TK-5 | 2T | E50165* | ||
| Recording | You Really Got A Hold On Me | TK-8 | SI vocal | 2T | E50165* | ||
| Recording | You Really Got A Hold On Me | TK-9 | SI vocal | 2T | E50165* | ||
| Recording | You Really Got A Hold On Me | TK-10 | SI vocal | 2T | E50165* | ||
| Recording | You Really Got A Hold On Me | TK-11 | SI piano intro | 2T | E50165* | ||
| Recording | Money (That's What I Want) | TK-1 | 2T | E50165* | |||
| Recording | Money (That's What I Want) | TK-2 | 2T | E50165* | |||
| Recording | Money (That's What I Want) | TK-3 | 2T | E50165* | |||
| Recording | Money (That's What I Want) | TK-4 | 2T | E50165* | |||
| Recording | Money (That's What I Want) | TK-5 | 2T | E50165* | |||
| Recording | Money (That's What I Want) | TK-6 | edit piece piano intro | 2T | E50165* | ||
| Recording | Money (That's What I Want) | TK-7 | SI piano & vocals | 2T | E50165* | ||
| Recording | Devil In Her Heart | TK-1 | 2T | E50166* | |||
| Recording | Devil In Her Heart | TK-2 | 2T | E50166* | |||
| Recording | Devil In Her Heart | TK-3 | 2T | E50166* | |||
| Recording | Devil In Her Heart | TK-4 | SI vocal, maracas on TK-3 | 2T | E50166* | ||
| Recording | Devil In Her Heart | TK-5 | SI vocal, maracas on TK-3 | 2T | E50166* | ||
| Recording | Devil In Her Heart | TK-6 | SI vocal, maracas on TK-3 | 2T | E50166* | ||
| Recording | Till There Was You | TK-1 | 2T | E50166* | |||
| Recording | Till There Was You | TK-2 | 2T | E50166* | |||
| Recording | Till There Was You | TK-3 | 2T | E50166* | |||
Key | |||||||
| Takes | |||||||
|---|---|---|---|---|---|---|---|
| TK | Take (TK-00: unnumbered take(s)) | ||||||
| RM | Mono Remix | ||||||
| RS | Stereo Remix | ||||||
| SI | Superimposition (i.e. overdub) | ||||||
| fs | False start | ||||||
| bd | Breakdown | ||||||
| ✔ | Best take | ||||||
| Channels | |||||||
| Δ | Delta Mono | ||||||
| 2T | Twin-track | ||||||
| Z | Stereo | ||||||
| 3T | Three-track | ||||||
| 4T | Four-track | ||||||
| 8T | Eight-track | ||||||
| Reels | |||||||
| * | indicates a reel now lost | ||||||
| Release | |||||||
| Only the first official release of any take is listed | |||||||
| [ ] | Take available only on bootleg, with an example cited | ||||||