The Spoonbill Generator presents
| Tuesday 29 October 1963 | |||||||
| 10.00am-1.00pm., Studio Three (control room). Producer: George Martin | |||||||
| Task | Track | Take | Channels | Reel | Release | ||
| Stereo mixing | It Won't Be Long | RS17 | < TK-17/21 | Z | E50955* | With The Beatles | |
| Stereo mixing | All I've Got To Do | RS15 | < TK-15 | Z | E50955* | With The Beatles | |
| Stereo mixing | All My Loving | RS14 | < TK-14 | Z | E50955* | With The Beatles | |
| Stereo mixing | Don't Bother Me | RS15 | < TK-15 | Z | E50955* | With The Beatles | |
| Stereo mixing | Little Child | RS21 | < TK-21 | Z | E50955* | With The Beatles | |
| Stereo mixing | Till There Was You | RS8 | Z | E50955* | With The Beatles | ||
| Stereo mixing | Please Mister Postman | RS-9 | Z | E50955* | With The Beatles | ||
| Stereo mixing | Roll Over Beethoven | RS7/8 | < TK-7+TK-8 | Z | E50955* | With The Beatles | |
| Stereo mixing | Hold Me Tight | RS29 | < TK-29 | Z | E50955* | With The Beatles | |
| Stereo mixing | You Really Got A Hold On Me | RS7/10/11 | Z | E50955* | With The Beatles | ||
| Stereo mixing | I Wanna Be Your Man | RS16 | Z | E50955* | With The Beatles | ||
| Stereo mixing | Devil In Her Heart | RS6 | < TK-6 | Z | E50955* | With The Beatles | |
| Stereo mixing | Not A Second Time | RS9 | < TK-9 | Z | E50955* | With The Beatles | |
| Stereo mixing | Money (That's What I Want) | RS7 | from edit of TK-6 & TK-7 | Z | E50955* | ||
| Key | |||||||
| Takes | |||||||
|---|---|---|---|---|---|---|---|
| TK | Take (TK-00: unnumbered take(s)) | ||||||
| RM | Mono Remix | ||||||
| RS | Stereo Remix | ||||||
| SI | Superimposition (i.e. overdub) | ||||||
| fs | False start | ||||||
| bd | Breakdown | ||||||
| ✔ | Best take | ||||||
| Channels | |||||||
| Δ | Delta Mono | ||||||
| 2T | Twin-track | ||||||
| Z | Stereo | ||||||
| 3T | Three-track | ||||||
| 4T | Four-track | ||||||
| 8T | Eight-track | ||||||
| Reels | |||||||
| * | indicates a reel now lost | ||||||
| Release | |||||||
| Only the first official release of any take is listed | |||||||
| [ ] | Take available only on bootleg, with an example cited | ||||||