The Spoonbill Generator presents
I Saw Her Standing There |
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| (Lennon/McCartney) | |||||||
| Monday 11 February 1963, 10.00am-1.00pm. | |||||||
| Studio Two | |||||||
| Producer: George Martin. Engineers: Norman Smith, Richard Langham. | |||||||
| Task | Take | Channels | Reel | Release | |||
| Recording | TK-1 ✔ | 2T | E48875 | [Sessionography One] | |||
| Recording | TK-2 | 2T | E48875 | [Sessionography One] | |||
| Recording | TK-3 | guitar solo edit piece | 2T | E48875 | [Sessionography One] | ||
| Recording | TK-4 | guitar solo edit piece | 2T | E48875 | [Sessionography One] | ||
| Recording | TK-5 | guitar solo edit piece | 2T | E48875 | [Sessionography One] | ||
| Recording | TK-6 bd | 2T | E48875 | [Sessionography One] | |||
| Recording | TK-7 fs | 2T | E48875 | [Sessionography One] | |||
| Recording | TK-8 fs | 2T | E48875 | [Sessionography One] | |||
| Recording | TK-9 | 2T | E48875 | "Free As A Bird" single | |||
| Monday 11 February 1963, 2.30-6.00pm. | |||||||
| Studio Two | |||||||
| Producer: George Martin. Engineers: Norman Smith, Richard Langham. | |||||||
| Task | Take | Channels | Reel | Release | |||
| Recording | TK-10 | SI vocals on TK-2 | Δ/2T | E48877 | [Sessionography One] | ||
| Recording | TK-11 | SI handclaps on TK-1 | Δ/2T | E48877 | [Sessionography One] | ||
| Recording | TK-12 | SI handclaps on TK-1 | Δ/2T | E48877 | [Sessionography One] | ||
| Monday 25 February 1963, 10.00am-1.00pm. | |||||||
| Studio One (control room) | |||||||
| Producer: George Martin. Engineers: Norman Smith, AB Lincoln. | |||||||
| Task | Take | Channels | Reel | Release | |||
| Editing | TK-12 | count in from TK-9 | Δ/2T | E48909 | |||
| Mono mixing | RM ✔ | < TK-10/12 | Δ/2T | E48979* | Please Please Me | ||
| Stereo mixing | RS | < TK-12 | Δ/2T | E48979* | Please Please Me | ||
Musicians | |||||||
Key | |||||||
| Takes | |||||||
|---|---|---|---|---|---|---|---|
| TK | Take (TK-00: unnumbered take(s)) | ||||||
| RM | Mono Remix | ||||||
| RS | Stereo Remix | ||||||
| SI | Superimposition (i.e. overdub) | ||||||
| fs | False start | ||||||
| bd | Breakdown | ||||||
| ✔ | Best take | ||||||
| Channels | |||||||
| Δ | Delta Mono | ||||||
| 2T | Twin-track | ||||||
| Z | Stereo | ||||||
| 3T | Three-track | ||||||
| 4T | Four-track | ||||||
| 8T | Eight-track | ||||||
| Reels | |||||||
| * | indicates a reel now lost | ||||||
| Release | |||||||
| Only the first official release of any take is listed | |||||||
| [ ] | Take available only on bootleg, with an example cited | ||||||