The Spoonbill Generator presents
Love You To |
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| (Harrison) | |||||||
| Monday 11 April 1966, 2.30-7.00pm. | |||||||
| Studio Two | |||||||
| Producer: George Martin. Engineers: Geoff Emerick, Phil McDonald. | |||||||
| Task | Take | Channels | Reel | Release | |||
| Recording | TK-1 | 4T | E59735 | ||||
| Recording | TK-2 | 4T | E59735 | ||||
| Recording | TK-3 | 4T | E59735 | ||||
| Monday 11 April 1966, 8.00pm-12.45am. | |||||||
| Studio Two | |||||||
| Producer: George Martin. Engineers: Geoff Emerick, Phil McDonald. | |||||||
| Task | Take | Channels | Reel | Release | |||
| Recording | TK-4 | 4T | E59735 | ||||
| Recording | TK-5 | 4T | E59735 | ||||
| Recording | TK-6 ✔ | 4T | E59735 | ||||
| Recording | TK-6 | SI sitar, tabla, tamboura | 4T | E59735 | |||
| Recording | TK-6 | SI fuzz guitar | 4T | E59735 | |||
| Wednesday 13 April 1966, 2.30-6.30pm. | |||||||
| Studio Three | |||||||
| Producer: George Martin. Engineers: Geoff Emerick, Richard Lush. | |||||||
| Task | Take | Channels | Reel | Release | |||
| Reduction mix | TK-7 | < TK-6 | 4T | E59736 | |||
| Recording | TK-7 | SI vocals, tambourine | 4T | E59736 | |||
| Recording | TK-7 | SI vocals | 4T | E59736 | |||
| Mono mixing | RM1 | < TK-7 | Δ | E59737 | |||
| Mono mixing | RM2 | < TK-7 | Δ | E59737 | |||
| Mono mixing | RM3 ✔ | < TK-7 | Δ | E59737 | |||
| Monday 25 April 1966, 10.00-11.00am. | |||||||
| Abbey Road, Room 65 | |||||||
| Producer: n/a. Engineers: Peter Vince, . | |||||||
| Task | Take | Channels | Reel | Release | |||
| Recording | RM | edit piece < TK-6 (for intro ) | 4T | ?? | |||
| Monday 16 May 1966, 2.30pm-1.30am. | |||||||
| Studio Two | |||||||
| Producer: George Martin. Engineers: Geoff Emerick, Phil McDonald. | |||||||
| Task | Take | Channels | Reel | Release | |||
| Tape copying | RM4 | < RM3 + edit piece (for US) | Δ | E60039 | |||
| Tape copying | RM5 | < RM3 + edit piece | Δ | E60039 | Revolver | ||
| Tuesday 21 June 1966, 10.00am-1.00pm. | |||||||
| Studio Three (control room) | |||||||
| Producer: George Martin. Engineers: Geoff Emerick, Phil McDonald. | |||||||
| Task | Take | Channels | Reel | Release | |||
| Stereo mixing | RS1 | < TK-7 | Z | E60258 | |||
| Stereo mixing | RS2 | < TK-7 | Z | E60258 | |||
| Stereo mixing | RS3 | < TK-7 | Z | E60258 | |||
| Editing | RS1/2/3+edit piece ✔ | Z | E60258 | Revolver | |||
Musicians | |||||||
Key | |||||||
| Takes | |||||||
|---|---|---|---|---|---|---|---|
| TK | Take (TK-00: unnumbered take(s)) | ||||||
| RM | Mono Remix | ||||||
| RS | Stereo Remix | ||||||
| SI | Superimposition (i.e. overdub) | ||||||
| fs | False start | ||||||
| bd | Breakdown | ||||||
| ✔ | Best take | ||||||
| Channels | |||||||
| Δ | Delta Mono | ||||||
| 2T | Twin-track | ||||||
| Z | Stereo | ||||||
| 3T | Three-track | ||||||
| 4T | Four-track | ||||||
| 8T | Eight-track | ||||||
| Reels | |||||||
| * | indicates a reel now lost | ||||||
| Release | |||||||
| Only the first official release of any take is listed | |||||||
| [ ] | Take available only on bootleg, with an example cited | ||||||