The Spoonbill Generator presents
Tell Me Why |
|||||||
(Lennon/McCartney) | |||||||
Thursday 27 February 1964, 10.00am-1.00pm. | |||||||
Studio Two | |||||||
Producer: George Martin. Engineers: Norman Smith, Richard Langham. | |||||||
Task | Take | Channels | Reel | Release | |||
Recording | TK-1 | 4T | E51898 | ||||
Recording | TK-2 | 4T | E51898 | ||||
Recording | TK-3 | 4T | E51898 | ||||
Recording | TK-4 bd | 4T | E51898 | [Sessiongraphy 2] | |||
Recording | TK-5 | 4T | E51898 | ||||
Recording | TK-6 | 4T | E51898 | ||||
Recording | TK-7 | 4T | E51899 | ||||
Recording | TK-8 ✔ | SI vocal, piano on TK-7 | 4T | E51899 | |||
Tuesday 3 March 1964, 10.00am-1.45pm. | |||||||
Studio One (control room) | |||||||
Producer: George Martin. Engineers: Norman Smith, AB. | |||||||
Task | Take | Channels | Reel | Release | |||
Mono mixing | RM1 | < TK-8 | Δ | E51925 | A Hard Day's Night | ||
Tuesday 9 June 1964, 2.00-5.45pm. | |||||||
Studio Three (control room) | |||||||
Producer: George Martin. Engineers: Norman Smith, Ken Scott. | |||||||
Task | Take | Channels | Reel | Release | |||
Mono tape copying | RM1 | < TK-8 (for United Artists) | Δ | E52813* | |||
Mono tape copying | RM1 | < TK-8 (for Capitol) | Δ | E52814* | |||
Monday 22 June 1964, 2.30-5.30pm. | |||||||
Studio One (control room) | |||||||
Producer: George Martin. Engineers: Norman Smith, Geoff Einerick. | |||||||
Task | Take | Channels | Reel | Release | |||
Stereo mixing | RS1 | < TK-8 | Z | E53123 | A Hard Day's Night | ||
Musicians | |||||||
Key | |||||||
Takes | |||||||
---|---|---|---|---|---|---|---|
TK | Take (TK-00: unnumbered take(s)) | ||||||
RM | Mono Remix | ||||||
RS | Stereo Remix | ||||||
SI | Superimposition (i.e. overdub) | ||||||
fs | False start | ||||||
bd | Breakdown | ||||||
✔ | Best take | ||||||
Channels | |||||||
Δ | Delta Mono | ||||||
2T | Twin-track | ||||||
Z | Stereo | ||||||
3T | Three-track | ||||||
4T | Four-track | ||||||
8T | Eight-track | ||||||
Reels | |||||||
* | indicates a reel now lost | ||||||
Release | |||||||
Only the first official release of any take is listed | |||||||
[ ] | Take available only on bootleg, with an example cited | ||||||