The Spoonbill Generator presents
Yellow Submarine |
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| (Lennon/McCartney) | |||||||
| Thursday 26 May 1966, 7.00pm-1.00am. | |||||||
| Studio Three | |||||||
| Producer: n/a. Engineers: Geoff Emerick, Phil McDonald. | |||||||
| Task | Take | Channels | Reel | Release | |||
| Recording | TK-1 | backing track only | 4T | E60044 | |||
| Recording | TK-2 | backing track only | 4T | E60044 | |||
| Recording | TK-3 | backing track only | 4T | E60044 | |||
| Recording | TK-4 ✔ | backing track only | 4T | E60044 | |||
| Recording | TK-4 | SI lead vocal, backing vocals | 4T | E60044 | |||
| Recording | TK-4 | SI backing vocals, maracas | 4T | E60044 | |||
| Reduction mix | TK-5 | < TK-4 | 4T | E60045 | |||
| Wednesday 1 June 1966, 2.30pm-2.30am. | |||||||
| Studio Two | |||||||
| Producer: George Martin. Engineers: Geoff Emerick, Phil McDonald. | |||||||
| Task | Take | Channels | Reel | Release | |||
| Recording | TK-5 | SI brass | 4T | E60045 | |||
| Recording | TK-5 | SI backing vocals | 4T | E60045 | |||
| Recording | TK-5 | SI sound effects | 4T | E60045 | "Real Love" single | ||
| Friday 3 June 1966, 7.00pm-2.30am. | |||||||
| Studio Two | |||||||
| Producer: George Martin. Engineers: Geoff Emerick, Phil McDonald. | |||||||
| Task | Take | Channels | Reel | Release | |||
| Mono mixing | RM1 | < TK-5 | Δ | E60193* | |||
| Mono mixing | RM2 | < TK-5 | Δ | E60193* | |||
| Mono mixing | RM3 | < TK-5 | Δ | E60193* | |||
| Mono mixing | RM4 | < TK-5 | Δ | E60193* | |||
| Mono mixing | RM5 ✔ | < TK-5 | Δ | E60193* | Revolver | ||
| Wednesday 22 June 1966, 7.00pm-1.30am. | |||||||
| Studio Three (control room) | |||||||
| Producer: George Martin. Engineers: Geoff Emerick, Jerry Boys. | |||||||
| Task | Take | Channels | Reel | Release | |||
| Stereo mixing | RS1 | | Z | E60504 | | |||
| Stereo mixing | RS2 ✔ | | Z | E60504 | Revolver | | ||
Musicians | |||||||
Key | |||||||
| Takes | |||||||
|---|---|---|---|---|---|---|---|
| TK | Take (TK-00: unnumbered take(s)) | ||||||
| RM | Mono Remix | ||||||
| RS | Stereo Remix | ||||||
| SI | Superimposition (i.e. overdub) | ||||||
| fs | False start | ||||||
| bd | Breakdown | ||||||
| ✔ | Best take | ||||||
| Channels | |||||||
| Δ | Delta Mono | ||||||
| 2T | Twin-track | ||||||
| Z | Stereo | ||||||
| 3T | Three-track | ||||||
| 4T | Four-track | ||||||
| 8T | Eight-track | ||||||
| Reels | |||||||
| * | indicates a reel now lost | ||||||
| Release | |||||||
| Only the first official release of any take is listed | |||||||
| [ ] | Take available only on bootleg, with an example cited | ||||||