The Spoonbill Generator presents
You Like Me Too Much |
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| (Harrison) | |||||||
| Wednesday 17 February 1965, 7.00-11.00pm. | |||||||
| Studio Two | |||||||
| Producer: George Martin. Engineers: Norman Smith, Ken Scott. | |||||||
| Task | Take | Channels | Reel | Release | |||
| Recording | TK-1 | backing track only | 4T | E55320 | |||
| Recording | TK-2 | backing track only | 4T | E55320 | |||
| Recording | TK-3 | backing track only | 4T | E55320 | |||
| Recording | TK-4 | backing track only | 4T | E55320 | |||
| Recording | TK-5 | backing track only | 4T | E55320 | |||
| Recording | TK-6 | backing track only | 4T | E55320 | |||
| Recording | TK-7 | backing track only | 4T | E55320 | |||
| Recording | TK-8 ✔ | backing track only | 4T | E55320 | |||
| Recording | TK-8 | SI vocals, backing vocal | 4T | E55320 | |||
| Recording | TK-8 | Pianet | 4T | E55320 | |||
| Recording | TK-8 | SI guitar, piano | 4T | E55320 | |||
| Thursday 18 February 1965, 5.15-6.00pm. | |||||||
| Studio Two (control room) | |||||||
| Producer: George Martin. Engineers: Norman Smith, Ken Scott. | |||||||
| Task | Take | Channels | Reel | Release | |||
| Mono mixing | RM1 | < TK-8 | Δ | E55324 | Help! | ||
| Tuesday 23 February 1965, 10.00am-1.00pm. | |||||||
| Studio Two (control room) | |||||||
| Producer: n/a. Engineers: Norman Smith, Malcolm Davies. | |||||||
| Task | Take | Channels | Reel | Release | |||
| Stereo mixing | RS1 | < TK-8 | Z | E55435 | Help! | ||
Musicians | |||||||
Key | |||||||
| Takes | |||||||
|---|---|---|---|---|---|---|---|
| TK | Take (TK-00: unnumbered take(s)) | ||||||
| RM | Mono Remix | ||||||
| RS | Stereo Remix | ||||||
| SI | Superimposition (i.e. overdub) | ||||||
| fs | False start | ||||||
| bd | Breakdown | ||||||
| ✔ | Best take | ||||||
| Channels | |||||||
| Δ | Delta Mono | ||||||
| 2T | Twin-track | ||||||
| Z | Stereo | ||||||
| 3T | Three-track | ||||||
| 4T | Four-track | ||||||
| 8T | Eight-track | ||||||
| Reels | |||||||
| * | indicates a reel now lost | ||||||
| Release | |||||||
| Only the first official release of any take is listed | |||||||
| [ ] | Take available only on bootleg, with an example cited | ||||||